More on the Shunpike Storefront in South Lake Union

The storefont lives on.  Originally I placed five cameras in the Storefront window looking out to the so called view.  Not a great view but the cameras did make photographs.  I had two two-hole cameras, an altoid tin, my favorite square camera, an array of nine small cameras.  All of them were looking at the same thing:  a small plaza in front of the building, trees and the rain guard above the window.  They were up for about six weeks so the other day I took them down.  I reloaded the cameras and set them back with the exception of the altoid tin camera, I replaced that one with a larger, round camera.  I actually needed the altoid tin to go to another photographer who wanted a camera.  Right now I have no altoid tins in stock.  If anyone has some that would be great.  Send on over  to me or drop by and leave outside my door.  I could go and buy a 15 pack of altoids at Costco, but I really do not altoids anymore and would rather not do that.  Haven’t had to buy tins for about five years.  I know people have tins laying around their homes, so cough them up folks. (No pun intended).

Enough about altoid tins.  Here are the photographs taken from the window of the store front.  The featured photograph is a night time exposure by Shunpike of the window.  It looks better at night in a photograph because there are no reflections.  As you can imagine it was very difficult to chose the hundred or so images that are shown here.  There are no bad pinholes!  A different day I would have chosen different images.  But in the meantime, the cameras which were attached to glass window took the following photographs.  I do not know why they are the colors what they are.  All were done with the same paper, in the same location.  One would expect that they would be the same, but in the Array of Nine, they are not.  I put the cameras back up today and will leave them up until I take the whole thing down in September.  One more thing:  the security guard for the building I am in (Amazon donates their spaces) was upset that I could only take photographs to the South since that is way that the window faces.  I gave him a new telephoto camera to take a photograph of the Space Needle which is very close and to the west.  He went up to the eleventh floor of building and hung the camera on a window facing the needle.  This photograph of the Space Needle will be his and I will post under his name, since he hung it and is tending it.  Name will be revealed when the camera is taken down in September.

The Array of Nine;  small round cameras.  I do not know why some of the images are brown.

A two hole camera from an old Christmas Cookie tin

An altoid tin camera

A two hole Saltine Cracker Tin camera.  The camera fell down once and was put back up and then slid down a ways another time.

One of my favorite cameras;  a large square tin that has been used about 20 times.

If you have a chance, go by and see the storefront in the South Lake Union neighborhood.  There are, I think  ten windows by ten artists up on display.  Mine is on the corner of John and Boren.  Thank you Shunpike for supporting the Pinhole Project.  And lastly, the featured image is a photograph that I took today after rehanging the cameras.  Like I said too many reflections during the day.  Best if you go and see it yourself.  Thanks for reading.

The Trees!

The Trees!

I went car  camping in the high country east and west of the mountains several times last summer.  The National Forests are full of unused logging roads all open to the public.   It’s very rare to see another car or any people anywhere.    We drove  up and up through the forests.  The trees!  They were everywhere, all shapes and sizes.   I tried to photograph them,  tiny saplings to towering old growth.  How to make an image worthy of them intrigues  me now.   I was driven  around (such luxury) with  lots of different types of cameras, both film and digital and of course pinhole.  I  got to shoot all day  until it got  dark, and then got to make all night long exposures.  It is dark up there!  And empty.  And quiet.  And so close to the I-5 corridor that from just about everywhere west of the mountains  you can see the light glow of the cities from Tacoma to Vancouver. I am beginning to look at these photographs now and post the early edits here.  I won’t name the camera with which I made each image.  I will let you try and figure that out.

The trees call to me still, as I sit in my studio, rain and wind outside, and  think about those forests:  logged and re-logged,  scarred with roads and slides and gullies and yet beautiful, teeming with life.  A surprising number of old growth exists untouched, tucked way into the dark reaches of the forest.   I am  lucky that the friend who drove me  knew which  logging roads looked  promising and where to find the old trees.  And he knew their names and ages and  is as in awe of them as I am.

On the east side of the mountains there is less light from urban areas glowing in the night sky.  After dark settles in, the trees towered above us, shadowy and huge, bigger at night than during the day.  The stars slid slowly across the sky.  I wanted to stay up all night but of course, sleep came quickly and deep in that silence.  So here are the first few edits.  I tend to shoot and then put the work away for a few months.  It needs to settle into  my unconscious and I wait for the  images to surface and call me to bring them to life.  I have just begun to photograph the trees.  I am hoping to go back up to the forests  this winter, maybe shoot at night with snow on the ground.  Let the snow reflect the silence and illuminate the trees.

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